Unit 1
Exercise:
You are to find an object with interesting form and construct a support for that object out of cardboard using 2 methods. 1 method will be tension only and the other can include tape, hot glue or other fastener / joining method of your choosing. A successful project will demonstrate consideration for the space surrounding the object you have chosen, the formal / textural / metaphorical elements present in the support and the interplay between the two.
Unit 1 project:
The first project will use the materials cardboard and hot glue to begin to explore issues central to sculpture such as: form, space (positive, negative / full, void), plane, volume and mass. The first exercise was an introduction to some simple methods of using these tools and a primer for considering form and space. In the longer project, you will be asked to work from one of 3 conceptual themes and your final project should demonstrate your full investigation of one of these themes.
Materiality - working from cardboard, surface, texture, ability to be manipulated to emphasize the qualities of the material in your final work. Successfull execution of this concept will emphasize the inherent qualities and limitations of cardboard and hot glue as materials. You may push them to their extreme limits, the limits of what cardboard and hot glue can or can't do to reveal the qualities of each. Successfull projects will leave the viewer wondering how you got these materials to do what you have done while strongly emphasizing that they are cardboard and hot glue.
Instability - working from carboard and hot glue as building material, a successfull project will be a form or an object that appears unstable. It may appear to be in decomposition, to be unable to stand on its own, to be balanced in a way that seems physically impossible. It may appear to be unstable or it may in fact be unstable. You may wish to add other elements to contribute to its instability, such as (but not limited to) something that is actually damaging it, something that is causing it to move or shake, or any of a million other possibilities.
Interactive - Using Cardboard and hot glue as building materials, you will construct an object that begs the viewer to participate in its full realization. Perhaps it is to be handled or manipulated by the viewer. A significant part of creating such an object includes revealing to the viewer (through the object itself) how they should interact with it to achieve the best effect and the full potential of the object. What entices the viewer to touch? Is there a clear place for them to enter and begin to manipulate the object? A successfull project will reveal to the viewer how it is to be manipulated and the viewer's experience with the object will match the creator's intentions for interaction.
Material expectations
Each of you will have up to 5 4' x 8' sheets of cardboard available to you to construct your objects. These objects should be larger in scale and at minimum 36" in one direction. I want you to work large for these, while continuing to keep in mind that the objects must be able to be removed from the classroom! So, if you are working larger than 36" in each direction, perhaps the object must be sectional so that it can be disassembled to be removed or relocated. Also, the space of exhibition is to be fully considered. Do not make pieces that belong on pedestals. If you piece needs to be on a pedestal or raised, you must construct that out of cardboard and hot glue as well.
We will have hot glue sticks available in class, however, if you choose to use an extreme amount of hot glue, you will be instructed to purchase your own for the project. Also, it may be significant to your project to use post-consumer cardboard boxes or other cardboard for your project. That material must be provided by the student.
Unit 1 slide presentation artists
Political representational objects
Michael Rakowitz "The Invisible Enemy Should not Exist" at Lombard-Fried Gallery, NY.
The objects are constructed from post-consumer packaging materials, paper and cardboard.
The objects are replicas, or stand-ins for objects that were stolen from the National Museum of Iraq.
Installation and material
Sarah Sze Installation
Cornelia Parker
Installation @ Frith Street Gallery in London.
Look up more installations of this artist.
Ilan Averbauch
These objects demonstrate many of the sculptural concerns we will be addressing in our first unit.
Mass, volume, line, plane, space, void, precarity, stability, instability.
Void
Mary Miss
Mary Miss's use of site, the way she places the objects or materials into a context through the chosen
location is interesting. Consider where you would like your work to be.
Mary Miss void
Gordon Matta-Clark
Works with the void, removes elements to reveal the structure and deals with instability in much of his work.
If you are considering the instability approach for your Unit 1 work, consider what a void in a floor surface
does to the human body as it stands on the precipice. How unexpected and revealing is a void in a wall
next to a window.
Material integrated into site, used for it's inherent properties
Richard Long
Long also sites his work very specifically and choses materials from the site or as companions to the
environment where he installs. Compared to Mary Miss, how do his materials reveal site?
Andy Goldsworthy
Tom Friedman
Andrew Sutherland
wooden beams constructed from paper. One materials used to make other materials or to comment on the nature of the other materials.
Cardboard
Terry Summers
Lincoln Schatz
McDowell Bryson
Collages and constructs using Cardboard and other materials
I'd like you to look at these for the ways that the artist aproaches cardboard as a material, the textures that are accomplished.
Katherine C. Taylor
Robert Rauschenberg
Conceptual
Fluxus
Misc.
Gay Outlaw
Mobius Loop knitting
Chris Natrop
Cast
Robert Gober red shoe cast wax (could be cast in glue?)
Kiki Smith paper bodies
Janine Antoni
Light
Dan Flavin sculpting with light and shadow
James Turrell
Mona Hatoum Light
Robert Irwin
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